<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Posts on Real Rock Lab</title><link>https://realrocklab.com/posts/</link><description>Recent content in Posts on Real Rock Lab</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sun, 05 Jul 2026 02:53:32 +0000</lastBuildDate><atom:link href="https://realrocklab.com/posts/index.xml" rel="self" type="application/rss+xml"/><item><title>Bon Scott at 80: The 1973 Geordie Gig That Secretly Connected AC/DC's Two Eras</title><link>https://realrocklab.com/bon-scott-at-80/</link><pubDate>Sun, 05 Jul 2026 02:53:32 +0000</pubDate><guid>https://realrocklab.com/bon-scott-at-80/</guid><description>&lt;p&gt;&lt;em&gt;Bon Scott would have turned 80 on July 9 — and the best way to honor him isn&amp;rsquo;t the highlight reel. It&amp;rsquo;s the night in 1973 when he watched Brian Johnson scream himself off a stage, filed it away, and accidentally wrote the ending of his own band&amp;rsquo;s story seven years early.&lt;/em&gt;&lt;/p&gt;
&lt;h2 id="the-myth-were-here-to-break"&gt;The myth we&amp;rsquo;re here to break&lt;/h2&gt;
&lt;p&gt;There&amp;rsquo;s a version of AC/DC history everyone carries around: two bands, cleanly split. The Bon Scott era — sweaty, sly, dangerous — and the Brian Johnson era — the stadium machine that made &lt;em&gt;Back in Black&lt;/em&gt;. Before and after. Original and replacement.&lt;/p&gt;</description></item></channel></rss>