<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Brendan Yates on Real Rock Lab</title><link>https://realrocklab.com/people/brendan-yates/</link><description>Recent content in Brendan Yates on Real Rock Lab</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Wed, 14 Oct 2026 12:00:00 +0000</lastBuildDate><atom:link href="https://realrocklab.com/people/brendan-yates/index.xml" rel="self" type="application/rss+xml"/><item><title>The barricade was built to keep the crowd off the stage. In Oklahoma City, Turnstile used it the other way around</title><link>https://realrocklab.com/the-barricade-was-built-to-keep-the-crowd/</link><pubDate>Wed, 14 Oct 2026 12:00:00 +0000</pubDate><guid>https://realrocklab.com/the-barricade-was-built-to-keep-the-crowd/</guid><description>&lt;p&gt;&lt;em&gt;On 5 October, Brendan Yates stopped a sold-out room mid-song and refused to restart until a security guard left the building. The gesture has an ancestor, and it is not the one everybody reaches for.&lt;/em&gt;&lt;/p&gt;
&lt;h2 id="what-happened-at-the-criterion"&gt;What happened at The Criterion&lt;/h2&gt;
&lt;p&gt;Monday 5 October, The Criterion in Oklahoma City, roughly three quarters into the set. &lt;a href="https://realrocklab.com/bands/turnstile/"&gt;Turnstile&lt;/a&gt; were playing &amp;ldquo;Keep It Moving&amp;rdquo; when a fan came over the front barricade. By &lt;a href="https://realrocklab.com/people/brendan-yates/"&gt;Brendan Yates&lt;/a&gt;&amp;rsquo;s account from the microphone, a guard went at them.&lt;/p&gt;</description></item></channel></rss>